Thursday, December 22, 2005

Oscar Predictions


*=Winner
Best Picture
Brokeback Mountain*
Munich
King Kong
Walk the Line
Goodnight and Goodluck
Darkhorse-History of Violence
Outside Shot-Crash
Best Director
Ang Lee*
Steven Spielberg
Peter Jackson
George Clooney
Woody Allen
Darkhorse-James Mangold
Outside Shot-Fernando Meirelles
Best Actor
Heath Ledger
Philip Seymour Hoffman*
Russell Crowe
Joaquin Pheonix
David Strathairn
Darkhorse-Terrence Howard
Outside Shot-Eric Bana
Best Actress
Felicity Huffman
Reese Witherspoon*
Keira Knightly
Charlize Theron
Naomi Watts
Darkhorse-Q'Orianka Kilcher
Outside Shot-Gwyneth Paltrow/Joan Allen
Best Supporting Actor
Matt Dillon
Paul Giamatti*
George Clooney
Jake Gyllenhall
Daniel Craig ???
Darkhorse-Peter Sarsgaard
Outside Shot-Jeffrey Wright
Best Supporting Actress
Scarlett Johansson
Rachel Weisz
Mario Bello
Michelle Williams*
Catherine Keener
Darkhorse-Frances McDormand
Outside Shot-Anne Hathaway

Sunday, December 11, 2005

What is the price of Oil ?


"Syriana"
Starring:George Clooney, Matt Damon. Jeffrey Wright, Chris Cooper, Amanda Peet, Christopher Plummer, Alexander Siddig
4 stars out of 4

"Syriana" is an extremely complicated think piece asking dozens of questions. Keeping track of characters, places, and reasons I imagine would be similar to solving a cinema rubix cube. The film is more than a great movie, and one of this year's best, it breathes life into your imagination. I can't ever remember the last time I frequently checked my cell phone to see what time it was during the movie, not because I wanted it to be over, but wishing it would never end. That's what kind of movie this is, don't pay attention to hard or you will lose your mind.

An extraordinary ensemble cast molds "Syriana" into serious Oscar consideration. Very few films I appreciate with heavy dialogue, this is certainly one of them. It's the kind of movie where you can't describe the cast as characters, but as key players. Oil is the epicenter of all the 4 intersecting story lines. We are asked, along with everyone in the film, what is the price of oil? Scheming, lying, cheating, murder, stealing..... are all bold ways of getting to the top of the food chain of the fight for oil and power.

George Clooney is fantastic as Bob Barnes, a CIA veteran who we first meet in Tehran, Iran. He shares the spotlight with every other character, but we see him as the central character. Barnes throughout the film inches closer and closer, to figuring out his own purpose, and the ways of his superiors at the CIA. He does all the dirty work, bringing down foriegn threats, or messing up a missle deal that forms another storyline involving a young teenage Pakistani.

Matt Damon is an energy analyst out of Geneva, married to Amanda Peet, has two kids, and is happy with life. Damon's Bryan Woodword along with family face an un-imaginable tragedy early on, but Woodword finds redemption and hope when he shuns his family and advises a idealistic Gulf Prince. This Gulf Prince, played by Alexander Siddig is absolutely fascinating, we are not sure what his plans are, but we fear him, he has an immediate stare of determination towards any goal, and Damon is his main-man. Woodword at one point is actually in the middle of the desert with Prince Nasir delivering great dialogue about what the business world think's about Nasir. Damon is an honest character, he is another character we can't really figure out, his motives are cloudy to the audience, we can't figure out if we like him or not.

The slimy players arise in the subplot mainily involving Jeffrey Wright, an up and coming corporate lawyer, Wright is caught up in an investigation of the merger of two oil companies. Connex and Killen oil, Chris Cooper represents Connex oil, and will stop at nothing to see the merger go as planned. Wright plays Bennett Holliday, his storyline involves his dad showing up at his door step at random times, this small sub-plot isn't needed. Bennett is the kind of character that can bring balance to his firm and others if he does his job right.

"Syriana" is endlessly intriguing, and always interesting. Stephen Gaghan is at the helm here, he also wrote "Traffic", if that was found complicated and dense, you will never find your footing in this one. The thing is, there is so much information to digest, that I only imagine a second viewing being better than the first viewing. The funny thing is, with a second viewing I could probably add another 250-400 words to this review.

At a time in Hollywood, when we are not exposed to films like this often, it is grealy appreciated when an effort by Gaghan and his cast can produce a winning struggle like this. I'm anxious to see what this does down the road, come Oscar time. Many of the actors will be discussed as supporting actor and actress, I only wish that this gets best Picture, and Director nods. Two or three downfalls to mention.... Would have loved 25-30 more minutes added to the film, replace the Pakistani teenager storyline with more weight, or just get rid of it, scrath Bennett's alcoholic father part.

If "Traffic" can get the nominations that it garnered, "Syriana" CERTAINLY can, especially in a fairly weak year of film, in my opinion.... "Syriana" doesnt surpass my favorite film of the year "Crash", but it should end up in my top 3 of the year when it's all said and done....

Sunday, November 27, 2005

Joaquin "cashes" in


"Walk the Line"
3 and a 1/2 stars out of 4
Starring: Joaquin Pheonix, Reese Witherspoon, Robert Patrick

Not being a Johnny Cash listener or fan may shy people away from a film dedicated to his work, his love, and his life. It would be a shame to deny the power and dedication put forth on the screen by the two leads. Joaquin Pheonix and Reese Witherspoon truly become who they are portraying, Pheonix as "the man in black," Johnny Cash, and Reese Witherspoon as June Carter.

"Walk the Line" directed by James Mangold is alive in every sense of the word, it surpasses last year's "Ray" which chronocled the life of Ray Charles. Don't get me wrong, Jamie Foxx was nothing short of brilliant in his performance as Charles, but when breaking down Joaquin Phoenix's performance certain words like life-like, real, vivid, and determined jump out at you. You also have to figure in that Pheonix did all of his singing unlike the Oscar winner Foxx.

Reese Witherspoon is a revelation as June Carter, also doing her own singing, this is the best work Witherspoon has ever done and she's a shoe-inn for her first Oscar nomination. Reese becomes a lightning rod for Joaquin's character, in a way that is actually quite scary. After all, Reese is from Nashville, and her Southern affect is flawless and absolutely winning.

The film starts off examining a young Johnny, or J.R as his family called him. He looks up to his older brother Jack, and is looked down upon by his demanding and alcoholic father, who picks cotton for a living. A tragic event happens that we know will send Johnny's life in a tail-spin. Years later he would join the Air-Force in Germany and record his first song, we are then shown his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.

The subtle romance for Johnny and June starts off when they are touring with the rest of the guys, that is when Johnny is introduced to drug addiction, he eventually goes on a downword spiral, and loses his first wife. Although Cash's father (played with merciless precision by Robert Patrick) eventually does sober up, it is June's family that saves Johnny. They take a chance on there daughters best friend, and true love.

"Walk the Line" is a testament to Hollywood that says: "If your going to do a film about real people, this is how you do it." If Hollywood will listen, and more performances and scripts can can be as real as this, then we as viewers are in for tasty cinema treats in the future. James Mangold and his two glorious leads are all sure fire Oscar nominations, with talent to spare. "Walk the Line " is a portrait of a singer who bled and sweat into his music.

Monday, October 31, 2005

Vintage Cage


"The Weather Man"
Starring: Nicolas Cage, Michael Caine, Hope Davis

I have seen 3 movies this weekend, that is a personal best for me, only of one them depicts the world that the characters live in perfectly and realistically. "Weather Man" is a simple story of a basic man, that wants to touch base with life. David Spritzer (Cage) divorced, maybe depressed, making an honest $200,000 a year as a Chicago weatherman seeks more in life. Michael Caine plays his father Robert, a genuine, pleasent, and succesful man that is quiet nowadays, it's not that he looks down upon his son, he just wants more for him.

David owns the goofy haircut that drags down his persona in social Chicago life, he is locally often noticed as "that weather man." David is tired of getting food thrown at him, not just food, but fast food, he explains "it is useful, but not nourishable." Cage's narration as his pathetic character adds miles of depth to his character, it yields all hope of progress of hope, personal success and family security. That is all David cares about, he wants to mend past difference with his wife Noreen (Davis) by making the kids happy, and by going to classes with her, things turn out bad when a group activity goes wrong and causes much held back tension by Noreen. The good thing is that David gets along with his kids, one son Mike who is looked upon sexually by an adult, I didn't understand this subplot, but not that big of a problem for me. His overweight 12 year old daughter Shelly is called "cameltoe" at school, but she think's it a compliment. Shelly smokes and is in-decisive, David just wants to buy her clothes, bring her to archery classes, which becomes more of a hobby for him than her.

The movie is about lost family, with a chance to get it back, just that one shot to do something about it, making it right at all costs. This isn't a tearjerker, it takes an odd approach to the theme of family redemption, mainly because it's a comedy. I actually laughed out loud 5 or 6 times,Cage is so good at playing these types of characters, there is an outside chance of a nomination for him. Michael Caine is also very good as the overseer and glue to the family, he informs everyone of whats going on with everyone in the family.

"Weather Man" directed by Gore Verbinski was such a pleasent surprise, I will recommend it to anyone who liked "About Schmidt" and films along those lines. There were some very deep scenes, some very funny scenes, and an emotional sense of realism. Cage's David knows what he wants, but is so good at messing it up, it's not his fault, he actually believes his divorces was caused by his lack to remember an order of tartar sauce for the weekly family dinner when he was still married. That is the kind of humor this is, Cage isn't shooting for greatness, he is being himself with a great script. I cannot even give this a rating, because I do not want to give it 3 1/2 stars, I think it defines itself as existing as between 3 1/2 stars and 4.

The other two movies that I saw this weekend were....

"Saw II"-3 stars
"In Her Shoes"-3 stars

Sunday, October 30, 2005

November-January = a critics heaven


It is only October 30th..... There have only been a handful of worthy films that will be up for Oscars, and a handful and a half may be to much to give credit for right now... You may have Crash... Cinderella Man... North Country.. Capote... Goodnight and Goodluck....that's all I can really think of right now....

Now right now I will go ahead, and predict my 5 best picture nominations for the Academy Awards..... here they are... and reasons why... My goal is to predict 3/5 correct... here I go....

"Jarhead"-(mirror of our war right now, focuses on Desert Storm, a war that gave every soldier blue balls, WILL be directed with poignancy by Sam Mendes(A.Beauty, Road to Perdition) he's familiar with the Oscar scene, has a GREAT cast on his side with two of the most underrated actors going right now.(Jake Gyllenhaal, and Peter Sarsgaard) Has Chris Cooper and Jamie Foxx on board, both having prior Oscar success.

"Munich"- I absolutely know nothing of this story other then it is being driected by S.Spielberg, it's a true story, and it's a drama. If you throw those 3 elements into a hat, you basicaly have a best picture nomination. This will be there in the end.

"Walk the Line"- Although Ray was a decent film, I didn't realy care for it, it didn't deserve a Best Picture nomination lastyear, Ray along with Finding Neverland robbed Closer of a nomination. But Walk the Line starring Joaquin Phoenix and Reese Witherspoon chronicling the life of Johnny Cash and his wife, I think will be more powerful then Ray, a better love story with more depth and less jumping around of the story. Phoenix is one of those guys who is STILL under the radar, there is something about him, and he will break out of his supporting character label here, and maybe win a best actor trophy. I like it's chances to get a best pic. nod.

My next prediction is stricly boom or bust, it will either shoot through the roof or be a major dud. the next one is....

"The New World"- Terrence Malick's depiction of the romance between John Smith and Pocahontas with a side dish of violence COULD be great. Although the last plate of epic movies have mostly been duds i.e "Alexander" "Troy" and "Kingdom of Heaven." The scary thing is, the 3 directors of those previous duds are all fantastic directors, truly great ones. Now, Terrence Malick doesn't make too many movies, I haven't even see the ones that he does make, all I know is that he made "The Thin Red Line," about Vietnam and it was up for best picture. I also know that it was very poetic and hard to digest. With Colin Farrell, Christian Bale on board, you GOTTA believe that this could be good stuff, I think it will be "The Last Samurai" meets "Last of the Mohicans." The set design i trust will be spectacular, the acting will be there, I think there will be some brutal violence, that gives it some realism around those times, but I just hope I end up appreciating more of Farrell's work by the time the movie ends.

"Syriana" - I don't know much about this also, but the trailer was spell-binding, it includes Clooney and Matt Daman, the screenwriter of Traffic wrote and directed it.

If I had to pick my next five in order of it's chances, I would pick.....
1.Memoirs of a Geisha
2.North Country
3.Capote
4.Goodnight and Goodluck
5.Crash

Monday, October 24, 2005

Exceptional work by this cast

“North Country”
Starring: Charlize Theron, Frances McDormand, Sissy Spacek, Sean Bean, Woody Harrelson, Richard Jenkins
4 stars out of 4


Very few movies have moved me this year; “North Country” is one of those few. There are so many positives for this production under Niki Caro to dish out. Niki Caro isn’t new to the Oscar scene; her teenage lead in 2003’s “Whale Rider” was the youngest girl to ever earn an Oscar nomination. With “North Country”, Charlize Theron has an unbelievable chance to garner her second nomination in three years; her first nomination was taken to the bank as she won for her vicious portrayal of female serial killer Aileen Wournos in “Monster.”

It’s very odd, I hardly want to take credit away from Niki Caro for her earnest depiction of female miners in the late 80’s, but I feel like this was Theron’s show from start to finish, in other words Theron made this film possible with her extensive screen dominance.

You may also not find a better ensemble cast the rest of this year, I can’t decide which cast was better between this and “Crash” but they’re both excellent achievements. Even though I liked “Crash” better, this should have much more going for it come Oscar time, Theron and McDormand should both grab nominations, the fact that this is similar to “Erin Brockovich,” definitely helps it’s chances to snag a best picture nomination, and maybe directing.

Now to the fascinating story, Theron plays Josey Aimes, single mom who can’t even tell her kids who there father is, now that may be because she doesn’t know, or because she’s afraid to tell them, the answer to that question is important in the latter part of the thick running time. Aimes seeks work after leaving her home from her abusive husband, she straps her two kids along who are wiser then they look. Josey unfortunately lives a life where she can come to her parents’ house with bruises, and her father insists that it was her fault for getting beaten. Her past has been filled with negative moments; one most remembered was her pregnancy at the age of 16 which is the reason for her father (Richard Jenkins) to shun her. Josey just wants to get rid of her past and start over with her two kids, first she needs money to buy a house of her own, and pay for it on her own, and take care of her kids…. on her own, we like her so much in this.



Josey’s friend Glory (McDormand) who is currently working at the mines in North Country suggests Josey get a job there and actually earn the money that her dad makes. The mines are no place for a woman to be, everyone in the town knows this, even Josey’s dad, who is embarrassed and ashamed that his only child will be working among him, along with the dozens of ignorant men who destroy the decency of the women daily. One of the men is Bobby Sharp, someone who ignored Josey in high school when she needs him the most, he has no respect for her, but why should he, that is what the mines are made of.

Day by day, each of the 5 or 6 women that are employed are harassed, embarrassed, and the worst thing is working daily in the claustrophobic world of mining in Minnesota. They are even looked down upon by the big wigs of the there company, who give them the chance of resigning immediately instead of filing a sufficient report.

A world is turned upside down for the lonely Josey, whose oldest child has totally turned his back on his mother, she is constantly humiliated in public, for basically anything by anyone, how could a child not hate his mother. The extremely underrated Sean Bean who plays Glory’s husband, has an important scene with her son (Sammy) about how he can hate his mom all he wants, Bean says everything with reason and commitment in this scene and he arranges Sammy to come back home to Josey, with love not hate.

My word counting is nearing 700 and I’m not done yet, I haven’t mentioned Woody Harrelson, no one has mentioned him for years, and he does justice with his fitting role as Josey’s lawyer who guides her through this ferocious landmark case. He tells her straight to her face that he is taking the case just because it’s the first sexual harassment case in history; they both know there is no hope. My writing is reaching such sloppiness at this point, but I was totally blindsided by this emotional ode to brave women who fought for there cause of safety, comfort, and justice.

Monday, October 17, 2005

An irrelevant dud

"Elizabethtown"
Starring: Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin
2 1/2 stars out of 4


When someone is talking about cinema miscalculations, they’re mentioning failures, fiascos, and total disappointments. “Elizabethtown” is one of those miscalculations; it misfires on so many levels it turns agonizing to keep watching. Director Cameron Crowe, who is responsible for such titles as “Jerry Maguire, “Almost Famous, and “Vanilla Sky,” has created a collage of all different movies with “Elizabethtown.”

Orlando Bloom who can finally step out of his routine role as an elf, or swashbuckling hero, had the chance to turn a corner with this role. Bloom plays Drew Baylor, the kind of person whose cell phone is there life. Drew works for a shoe-making company in Oregon, he has created a new model called Spasmodica, and Drew’s boss quickly informs him that his model will cost the company 972 million dollars, along with Drew being fired. Drew looks to suicide in a comical way as he attaches a knife to a workout bike by controling how fast the knife will go once the machine is moving, kinda funny. A mild interruption arises when Drew’s sister calls him with bad news, “Dad died,” she emotionally exclaims.

A trip to Elizabethtown, Kentucky is now in the cards for Drew, he must go there for the first time to visit his Dad’s side of the family, and convince them into cremating his Dad.
After hopping on a Redeye, Drew remains weak, tired, frustrated and the last thing he wants is interaction. On the flight he meets a quirky stewardess named Claire Colburn, (Kirsten Dunst) she asks way to many questions for the emotionally ailing Drew to even fathom. Claire speaks in an eager language, full of advice, sayings, and perky ballyhoo. After the flight, they part ways and she gives him directions to Elizabethtown as if it’s the center of the world and it’ll be easy to find, but it’s not.

Drew finally arrives and breathes in the world that his father loved. Elizabethtown isn’t just a city; it’s full of simple pleasures, where a man can enjoy his family, a city full of proximity, tradition, and probably not many 4 star hotels. During his stay, Drew makes discoveries about his father and his family that are mostly positive. He goes through all night conversations with Claire, who gives him insight, and they form a relationship that is too confusing to define.

“Elizabethtown” is Cameron Crowe’s experience, something like this supposedly happened to him, and that’s why we trust him so much with the story. There isn’t much emotional activity going on here, Bloom isn’t bad in the role, but he’s plain, you would think a better chemistry would form between him and Claire, their relationship doesn’t extend beyond the word “cute.” Although there are some positives, the dry humor, the exceptional soundtrack and the acting, the plot doesn’t turn out challenging enough. Drew is sent on a mission to his father’s hometown to decide whether to bury him or cremate him, he meets the other side of the family along with Claire, and he somehow finds emotional stability by acting cute, friendly, and confusing. All of that wasn’t enough for me, I wanted personal victories for Drew, I wanted more then what the end had to offer, these characters deserved more.

Instead we are brought along for this supposed emotional journey, which left me unsatisfied, semi-interested, and disappointed. Crowe is so good with simple stories of love, families, hope and loss. He falls flat on his face here and hopefully he will learn from the shortcomings of this and move on. The small town USA theme isn’t captured too well, along with Crowe’s views on emotional security saved by a young woman; we saw that in the fabulous “Garden State.”

The cast didn’t gel well at all; Crowe usually gives his performing cast wealthy screen time and moments but ceases to capture the talent that he had on his side. From here I don’t know where Crowe stands, he had 2 gems with “Jerry Maguire” and “Almost Famous”, and before “Elizabethtown”, “Vanilla Sky” wasn’t received well by critics, even though I liked it. Films are definitely not made for the critics, Crowe for one definitely know this, but when he pitches two donuts to the critics in 4 years he must be worried no matter what anyone says about him. Even though it’s only October, I am worried that the outcome for the whole 2005 movie season will not even equal the parts of last December. CAN’T WAIT FOR JARHEAD!


NOTE- 2 1/2 stars is bad for a Cameron Crowe movie.

Wednesday, October 12, 2005

Flawed, but slick and entertaining

"Two for the Money"
Starring: Al Pacino,Matthew McConaughey, Rene Russo, Jeremy Piven, and Armand Assante'
3 stars out of 4


Al Pacino is so great at playing the boss, the manipulative mentor that sees all the moves before they are played out. In "Two for the Money" Pacino stars as Walter Abraham a tycoon in the gambling world of football. McConaughey plays Brandon Lang a new hot shot who had his chance to play pro-ball until he underwent a career changing injury during a bowl game.

6 years later Brandon is working with a 900 -number company, he gets lucky one day when asked to fill in for the companies sports handicapper. Just asked to put the bets on a recorder , Brandon ends up soaring at making his own recordings, he is so quick at having 9 winners a week out of 11 that he eventually gets recognized by Abraham and is asked to fly to New York for an interview.

McConaughey is such a bright and talented face, it's impossible to resist his charm and charisma as an actor, he doesn't come across as cocky, but he isn't boring by any means. "All he does is work out and pick winners," Walter mentions to Tony (Russo) as if Brandon is the newest, most undiscovered treasure in the world. As you can guess, Brandon is recruited by Walter and will be the hottest new voice on the telephones over at Walter's gambling headquarters. We see the first floor of the building as a starting point, new beginnings for Brandon, just as long as he picks 75% winners a week, he'll be fine.


Walter and Brandon are transformed into best friends, but Tony can see that both are on a collision course. Tony isn't a trophy wife, she seems more like a good friend to Walter than a wife. Thier relationship is confusing, but it's still believeable as a marriage. The stakes get bigger when Walter turns Brandon Lang into John Anthony, the only difference is a haircut, a few new suits, and gallons of hair goop. John Anthony is Walter's version of what a true sports handicapper should look like, talk like, and live like.

The story at times is predictable, but fresh and alive with altercating personalities and a look into sports gambling that is flawed. We are showed the world that revolves around it, how big of a business it is, but there is no substance, just miles and miles of style. It's fun watching Pacino, McConaughey, and Russo not conive, but clash together in turmoil as though they are auditioning for parts of greedy people in a world of gambling on eachother.

Jeremy Piven and Armand Assante round out the cast, Piven as a cocky wingman under Walter's eye at the company, and Assante as a Euro' who bets millions on games, and counts on Brandon's bets. "Two for the Money" could have been better, it feels like "The Recruit" mixed with "The Devil's Advocate," and that isn't the best of combos. Pacino is loud, McConaughey is good enough, and Russo is just there. If you can't catch "A History of Violence" check this out.

Monday, October 10, 2005

Cowboys gain respect by thrashing Philly


It has to be one of the best feelings as a sports fan to know that your favorite team can still surprise you. The Dallas Cowboys (3-2) defeated the Philadelphia Eagles Sunday 33-10. I knew we had a chance but not this good of a chance. Now granted, the Eagles rallied last week with a HUGE comeback on the road in maybe the toughest arena to play (Arrowhead, home of the Kansas City Chiefs) Even the fact that we were at home this Sunday, and the fact that we were due to beat them still doesn't change the glory of surprise. A total rout it was Sunday in Big D, Drew Bledsoe proves that he is for real this year, Terry Glenn proves that when he isnt injured he is a big time WR, and the Eagles prove that they aren't invincible in the NFC.

This was a MUST WIN for the Cowboys who lost a hard fought battle to the Raiders last week on the road. Parcells knew this, every Dallas fan knew this, every sports anchor covering NFL knew this. Holding the best offense in the NFL to under 200 total yds was a huge statement made by our Dr.Jekyll, Mr.Hide defense. Our offense feasted immensly on the Philly secondary who are usually solid every week, they had no answer for Bledsoe and Glenn early on. The defense without leader Dat Nguyen, made a gigantic statement holding Philly to 10 pts, and without an offensive TD, and also holding Terrell Owens to 50 yds.

Even though I respect the Eagles, FUCK them! I believe they were outcoached and outplayed. Andy Reid thinks he can pass every down and win ball games. I only wish more frustration came from Owens who points the finger too often.

Looking ahead for both teams, an even bigger game next week for the Cowboys vs the NYG at home will be a huge challenge for us, especially with G-Men coming off a bye week. The Chargers will travel to Philly after getting done with there Monday nighter tomorrow against the Steelers.

What a sweet, sweet moment, 33-10, out-tL

Sunday, October 2, 2005

Violence is used as Cronenberg's favorite toy.

"A History of Violence"
3 stars out of 4
Starring: Viggo Mortensen, Mario Bello, Ed Harris, William Hurt


David Cronenberg's "A History of Violence" is a tricky film, the director plays the audience like a piano to see what makes them tick, and to see how they react to his risky character piece starring Viggo Mortensen as Tom Stahl, a small town nobody turned hero after he defends his diner from two criminals looking for some cash.

Tom becomes an instant hero around the town, he can't stop appearing on the news, and it seems as though his family of three has never seemed safer then now. His family including faithful wife Edie (Bello), and his children Sarah and Jack. Reporters come to Tom's house after he has returned from the hospital, it's safe to say he wants to keep a low profile and move along with his family toaward lighter days.

Now to the moment that intrigues us early, while the robbers are getting dealt with in Tom's diner, it's made awfully clear to the audience how trained it seems that he is in killing, no mistakes made, it just seems to easy to defeat a threat thrusted towards him. We suddenly get the feeling that Tom has done this before, and that is the basis for the rest of the film.

Old faces from the past start to appear in Tom's life, faces that pose a threat to his family. Ed Harris plays Carl Fogarty, a high level mobster of sorts from Philly who knows Tom only as Joey Cusack. During there first conversation that we see in the film, Carl and Tom talk back and forth with opposing views on who Tom is. Tom doesn't know a Joey Cusack, but Fogarty knows a man by that name all to well, Joey Cusack is the man who ripped Carl's left eye out with barb wire.

Things get difficult for the Stahl's when Edie comes closer and closer to believing Fogarty about her husband's real identity. She witnesses his real identity when Fogarty and his goons bring there business to Tom's house, things get quite messy. " A History of Violence" is Cronenberg's to win or lose, his many risks pay off along with the tight story, we never know what will come next, maybe nothing will come next, but we are suprised either way.

Other notables are awarded to William Hurt, playing Tom's brother who plays a specific role to a precise stature. Mortenson and Bello are believeable and thier roles, along with Harris who supports Mortenson and Bello good enough. "A History of Violence" could grow more on me with a 2nd viewing that requires more attention paid to Cronenberg's style and storytelling.

Thursday, August 25, 2005

News


As of right now 2 movies ignite the anticipation in my mind, Elizabethtown due out in October, and Jarhead due out in November will hopefully be worth talking about long after seeing them.

With these two films release dates approaching, the buzz for them will increase, but hopefully there will be good buzz, "Jarhead" is already being mentioned as a lock for Best Picture and possibly director (Sam Mendes-American Beauty) and Elizabethtown is secretly anticipated by the Cameron Crowe fans who haven't seen his work since the underrated Vanilla Sky in 2001.

"Jarhead" will include Oscar Winners Jamie Foxx, Chris Cooper, the talented Jake Gylenhall, who bangs Kirsten Dunst in real life, and the unbelieveably un-noticed Peter Sarsgaard(Garden State, Kinsey, Shattered Glass) The story is told through the eyes of Anthony Swofford, an ex-marine who tells of his boredom and hate during the Gulf War, and other wars, Swofford is played by Gyllenhaal.(I'm reading the book, only on page 54)

Now Elizabethtown MUST be good, Crowe has hibernated and will come out of hibernation when this premiere bits nationwide. Orlando Bloom, Kirsten Dunst, Susan Sarandon, Jessica Biel, and Alec Baldwin round out the cast. The story seems much structured along the blueprints of Garden State; guy comes home for funeral, guy meets, girl, guy figures out life, guy is set free. Now hopefully Croew can tell a different story that seems like a distant-cousin to Garden State, but a film that is still worth mentioning as a succesfull Crowe film.

Also some star reviews. 4 Brothers =3/4 stars Bottomline: Unrealistic, but very watchable
The 40 yr old. Virgin=3 /4 stars Bottomline: Simply doesn't have the upper hand on Wedding Crashers.

Sunday, August 7, 2005

"Hustle and Flow" vibrates the screen with authenticity

"Hustle and Flow"
Starring: Terrence Howard, Anthony Anderson, DJ Qualls, Taryn Manning, Ludacris, Elise Neal
3 and a half stars out of 4


Who would have ever guessed that midway through the cinema year and with the overrated summer movie list ending, a strong and unexpected heat wave would arrive called "Hustle and Flow." Another thing jumps into my head, is it a coincidence that the best movie of 2005 right now(Crash) and one of the best movies of the year (H&F) both have Terrence Howard and Ludacris in them?

Unknown rookie Craig Brewer and excitingly underrated Terrence Howard put together an original film about a pimp, and his mid-life crisis. The pimp is D Jay(Howard) and he seeks meaning right after hearing a gospel song sung right in front of him, not only does it make him seek out his dreams, but brings the lives of his surrounding prostitutes upward and provides them with hope.

TO BE CONTINUED( I HAVE TO WATCH ENTOURAGE)

Sunday, July 17, 2005

Goodbye Old School, Hello Wedding Crashers!


“Wedding Crashers”
Starring: Vince Vaughn, Owen Wilson, Rachel McAdams, Isla Fisher, Christopher Walken
3 and a half stars out of 4


Wedding season is here and there are honestly no other men we want to spend it with except for Vince Vaughn and Owen Wilson, shall I give the review first or talk about there chemistry? These two are better then Stiller and Wilson, better then Ferrell and anyone, period. They have such a knack for pissing each other off, but a better knack for knowing each other inside out as they star as best friends John(Wilson) and Jeremy (Vaughn).

There season of crashing weddings is a long horny season filled with drinking, dancing, and sliming there way along with there fabricated stories and pasts into as many girls’ pants as possible. These guys are fun to watch and that’s what makes this such a classy and sleazy comedy, it’s rare, very rare how we can watch these two guys get caught up in off the wall events for a full two hours, it doesn’t lag, it actually a full two hours of raunchy, comedic bliss that appeals to pretty much anyone who can appreciate work done by Vaughn or Wilson.

After about the first 20 minutes, they feel pooped out and partied out after the wedding season in there books is officially over, heaven comes early when the “Kentucky Derby” of all wedding’s strolls along. They know they will have to bring out there best game in order to be sufficient enough for any girl at the wedding. It’s an elegant wedding, the daughter of the Secretary of Treasury is tying the knot, and John and Jeremy must study what they are getting themselves into before diving in head first. They quickly discover they are trying to bed both daughters of Mr. Clearly (Walken) who happens to play the Sec. of Treasury to a tee. His daughters Gloria (Fisher) and Claire (McAdams) are first only targets by the John and Jeremy, but John quickly falls for Claire who is isn’t available due to a relationship with an untrustworthy snake, and then there’s Gloria, she must be noted as being played by Isla Fisher because she steals every scene that she’s involved in. Gloria isn’t shy when it comes to sex and Jeremy quickly learns that after she basically jerks him off under the dinner table, at first Jeremy is freaked out completely but then learns to love her freakish ways.

Everything will go fine for the duo just as long as they aren’t revealed as wedding crashers, while they spend there weekend with the Clearly family and others. The events that take place feel like Meet the Parents events, but with a younger group of funny guys and gals that take charge of every scene and comedic romp. This is such a fresh movie, it will be compared to being on the same comedic level as Old School, but in my opinion it blows far past it, the laughs are bigger, the acting is actually worth noting, and Vince Vaughn is a genius along with vastly underrated Owen Wilson.

It’s so very safe at this point to call this the funniest movie of the summer, if I would have seen it on January 1st, I would still call this the hands down funniest movie of the year. Drop what you’re doing, and attend “Wedding Crashers.”

Burton and his muse Depp, find redemption for Burton.


“Charlie and the Chocolate Factory”
Starring: Johnny Depp, Freddie Highmore, Helena Bonham Carter, Noah Taylor, Deep Roy
3 stars out of 4


Tim Burton along with his favorite actor arrive in the summer scene and have done something worth noting, they have successfully translated a re-make on to the big screen that is worthy of being mentioned as the re-make to the late classic “Willy Wonka and the Chocolate Factory.” The new tale comes alive with the heart and soul of the story, Freddie Highmore the young Charlie Bucket and his family are poor, and they live in a small shack near Willy Wonka’s factory.

The dream of Willy Wonka’s factory is much a mystery nowadays to Charlie, his grandpa Joe explains to him how Wonka once fired all of his workers, he felt threatened they were stealing his recipes, how he pushed everything away from him, due to the neglecting he received from his father as a boy. This updated film is more of a character study for the quirky Wonka, since it’s solidly based on Roald Dahl’s book, it explains a lot about Wonka’s past while the audience is enjoying was is shown in his present.

Everyone knows the story; Wonka suddenly decides to open up his factory, but only to 5 young kids, the overweight non-stop chocolate eating Augustus, the spoiled Varuka Salt, the competitive and bratty Violet, the non-believing Mike T.V, and the considerate and lucky Charlie Bucket. Freddie Highmore plays the innocent Charlie well, and is extremely convincing along with the other young actors.

This is a Tim Burton movie, his creation of the new and improved Oompa Loompa’s is also to be noted, they are played by Deep Roy, who surprisingly has a lot of screen time, he plays inside and outside mostly within Wonka’s wacky world. Let’s talk about Johnny Depp in this, it seems like every role he confronts is a unique character that gives him his current reputation in Hollywood. It seems as though Depp can be himself in this role, but then again not. This is a different but similar role for him, it’s hard to describe this, he reaches to further depths with this liberating Wonka character.

This movie still isn’t perfect; I was actually surprised that I even liked it, and at times I appreciated things. The main flaw is that while were watching, we are being entertained with great things to look at and good acting, but we are not sucked in and ultimately intrigued as we wish to be. The funny thing is, while it has it’s flaws, it could be better, but not that much better, I can’t figure out why I think that.

With some of the recent movies out, there is no denying the magic and delightfulness that is on the screen when Depp and Highmore connect, this is there 2nd get-together and it’s the 2nd take on Willy Wonka’s story, and we like it.

Thursday, June 30, 2005

Spielberg's alien invasion bag is filled with more good then bad.

“War of the Worlds”
Starring: Tom Cruise, Dakota Fanning, Justin Chatwin, Tim Robbins, Miranda Otto
3 stars out of 4


Steven Spielberg’s “War of the Worlds” is a 4 star movie all the way until its final act; it is so utterly disappointing that it automatically makes you think about how you wish the movie stopped after the first 2 acts of the film which chew up about an hour and a half of the 2 hour running time.


Tom Cruise plays Ray Ferrier a crane tower in New Jersey that has his two kids for the weekend. Ray is made out to be the dad that no child would want to stay with on there weekend, they are left to him by there mother and step dad who the kids both respect more. (Fanning, Chatwin) When the kids arrive at Ray’s working class bachelor pad it seems all too awkward for them and him and they realize they will have to make the best to survive the weekend.

When Rachel (Fanning) is flipping through the channels while her deadbeat dad sleeps, there are news postings everywhere about citing strange occurrences throughout the world that involve electro magnetic pulses, they seem harmless at first until Ray and his kids , along with the whole neighborhood experience them on there own. Robbie (Chatwin) later tells dad that lighting has struck 26 times in the same spot, and there is no thunder. We know trouble is coming when the street is completely trembling are there are for sure signs that a mysterious object will arise from it.

This is the genius of the first 30 minutes; everyone is in total disarray along with Ray, who is inspecting very closely while his family remains indoors. Drastic turns take place when the tripods finally show themselves in such an epic revealing sense that most of the film lacks, Ray and the rest of the neighborhood are running around hiding and trying to escape the sight of these tripods that instantly kill once you are zapped by them.

The rest of the movie unfolds when Ray quickly, and I cannot stress that enough, sucks everything up and realizes he has to hide his kids from this immediate danger. This is what is good about the beginning, Ray grows up FAST, and realizes his duty, and his children’s lives have become far more important to him. The innocent Rachel asks questions rapidly after Ray steals the only car in miles that seems to work, Ray is the only one in the car that realizes that this situation is obviously far from solving, and he must do WHATEVER is possible to get these kids to Boston, where there mother has traveled to.


The whole movie is hiding, running and traveling; it’s actually impressive how real all of it seems up until a certain point. The audience gets a phenomenal sense of what it must have been like in New York during the 9/11 attacks. The alien attack isn’t every scene non-stop in your face action. It’s an organized, decently spaced out schedule of filming that takes place, Spielberg gives a few minutes to digest what is happening, and then he goes right back at it, and leaves you claustrophobic, especially in a scene where dozens of citizens are surrounding the family’s transportation in the pouring down rain. That scene was absolutely horrifying along with the many other scenes of Ray doing everything in his power to not let his son fight, and his daughter feel fear.


My review at this point must sound like a 4 star review, but there are so many flaws in the last 30 minutes, when Tim Robbins comes into the film, he not only takes away from the atmosphere of the film, but his basement is a scapegoat for one of the most clichéd scenes a thriller could have. Taking Jurassic Park for example, the scene where the two kids are hiding in the kitchen from the raptors, this is the EXACT same thing, and we are reminded that.When the supposed climax takes place it leaves us under whelmed and unsatisfied, there are a certain amout of plot holes that also leave the viewer baffled.
If you’ve read this review and you trust my words, leave the movie when Tim Robbins enters it, and then go home and dream about how ridiculously good the first hour and a half is. How does S.S. (director) make a great 2/3 of an epic summer horror movie, and then totally lose his grasp on the plot. If you aren’t going to see this movie and you haven’t seen M. Night Shyamalan’s Signs, I highly suggest renting it.


The worst part about this review for the reader is that this movie sounds great and terrible, but trust me many people will automatically love this movie, and some will hate it, I however am the rare in-between person that steadily prays for an upcoming successful movie that will wash the taste of the last 30 minutes of this film out of my mouth.

Tuesday, June 21, 2005

Bale is the right man for the job

“Batman Begins”
Starring: Christian Bale, Katie Holmes, Michael Caine, Liam Neeson, Cillian Murphy, Morgan Freeman, Ken Watanabe, Gary Oldman, Tom Wilkinson
4 stars out of 4


Chris Nolan’s “Batman Begins” isn’t some cinematic prequel trip down memory lane reminding us how much potential the Batman movies have, Nolan’s Batman is a dark, tormented, and surprising prequel that may very well lay the foundation for comic book movies in the future.


The story is as follows, Bruce Wayne is far off in a poor Eastern country that is un named, his whereabouts are known by Henri Ducard, (Neeson) who convinces Wayne to train under him and his leader Ra’s Al Ghul (Watanabe). Al Ghul is the leader of the League of Shadows, there plan and the plan of there leaders Ducard and Ghul is set on destroying Gotham City, the famous city that once showed promise when it was controlled by the Wayne family, the city’s chances fell short after a young Bruce witnessed his parents death. The steadily decaying Gotham is now run by high level criminal Carmine Falcone (Wilkinson) who is the “muscle of the city.” During Wayne’s training under Ducard, he learns how to control his fear, and hopefully in the future turn fear against the people that prey on it.

Wayne returns to Gotham shortly after his training settlement run by Ducard and Ghul is destroyed after they reveal there plan to not help Gotham, but destroy it completely, Wayne hates the idea and set’s off an incident that blows up the whole mountain. The first hour is devoted to Wayne’s development towards revenge, his anger outweighs his guilt, and that is the key thing that drives him to becoming a symbol that the short lists of noblemen in Gotham stand by. The short list includes Rachel Dawes, (Holmes) Bruce’s lifelong friend, who is now a district attorney that seems to be the only person willing to put Carmine Falcone’s crime ring behind bars. Another is Jim Gordon, an honest and decent cop that is pretty much the only non-corrupt official in Gotham, along with Dawes; Wayne feels that the 3 of them alone are the only people that can slowly save Gotham. Michael Caine and Morgan Freeman play Alfred and Lucius Fox respectively, Caine brings a comfortable and caring presence in his warming character as Alfred, the lifelong butler of the Wayne family, who never gives up on Bruce Wayne. Lucius Fox is the forgotten mastermind of Wayne enterprises, he supplies Wayne with his creative weapons that the Wayne company manufactures, but has stored away for a rainy day.

Cillian Murphy plays Dr. Jonathan Crane, he scares us mostly when he is the Scarecrow, the main villain that feeds on fear, and is plotting to drive the whole city mad by emptying a poison into the Gotham’s water supply. Murphy is on the verge of becoming a breakout star in Hollywood, and he brings a fresh new face to the villains that the Batman series has head, although this one has 3 or 4 villains, the Scarecrow is probably the most terrifying and feared upon.


Now about Christian Bale, some said he wouldn’t work, he obviously is working perfectly because the Batman series just took a giant step in the right direction under Chris Nolan’s helm, and he is so visionary and precise that he can’t screw this up like Joel Schumacher did with “Batman Forever”and“Batman and Robin.” Nolan’s is has made all the right choices so far, his casting was flawless, his vision is dark and bottomless, and with Christian Bale by his side, and probably sequels on the way, Chris Nolan has just struck gold.

Tuesday, June 7, 2005

Cinderella Man

“Cinderella Man”
Starring: Russell Crowe, Renee Zelwegger, Paul Giamatti, Craig Bierko, Paddy Considine, Bruce McGill
4 stars out of 4


Throughout Ron Howard’s new drama “Cinderella Man” I kept thinking of what I would rate the movie, that is my problem when I am viewing a film, I ask myself too early and often what I should rate it. I came to a truce with myself that I would rate it 3 and a half stars or 4 stars. But afterwards I realized how much of a good thing was shown in that 2 and a half hour timeslot that Ron Howard along with the wonderful cast had painted.

Everyone knows that this is the first mainstream Oscar contender of the year, and it has so many good reasons to be; Russell Crowe, Renee Zelwegger and Paul Giamatti all could be nominated respectfully, the Academy appreciates period pieces, and uplifting ones at that, take a look at 2003’s “Seabiscuit” if you need convincing.

The story is set in the depression era; it starts off in 1928 with a James J. Braddock victory, his manager is played by Joe Gould (Giamatti) who might be a shoe-in for best supporting actor, consistently supporting Braddock, they know each other to well to ever argue, and Gould is only looking for Braddock’s best interests, due to the fact that he knows his strengths. We witness Braddock’s family, his loving wife Mae (Zelwegger) who never goes to his fights or listens to them, and his 3 children Howard, Jay, and Rosie

Howard’s script fast forwards 4 years into the Great Depression, Braddock and his family are now tenants of a low scale, run down living style that the Depression ultimately depicts. Howard is key at making this seem real, the Depression is the main character of the story, it breathes suffering, despair, and family unity quickly through the Braddock family, and the entire nation. Jim and Mae’s kids soon begin to starve and freeze and there father will have none of that.

Now to Russell Crowe, the man who is criticized as being a punk, he seems to be portrayed as a “know it all” actor who cannot make a wrong move. Crowe’s creation, James J. Braddock, is the most decent character in the movie along with his wife; Braddock is so much of a family man that when he fails to pay for the heating bill he has to ask for help from the Emergency Relief Dept. of New Jersey, since they only grant him $19, he then travels as a respected beggar and asks Mr. Johnston (McGill) along with his friends for more money. This takes place after Braddock’s boxing license is stripped away from him by Johnston, mainly for putting on a boring fight that he got paid $50 for.


The story’s pacing is also important, it starts slow showing the downside of this family then reaches towards hope, when Gould gets Braddock 1 more fight, “it’s not a comeback he explains.” Braddock will fight for $250 against the number 2 contender that is in line for the championship. Sure enough Braddock wins that fight, and learns that not only has he surprised the nation; he has surprised himself and his family. One fight leads to another, those fight’s lead to Braddock’s chance to fight the world champion Max Baer, who had killed 2 men in the ring with his vicious blows.

Baer played by Craig Bierko is not in the movie that long, but his presence gets under the audience’s skin so much that you can’t help think of the genius in Ron Howard’s mind when making that casting call. The last fight is made with precision and craftsmanship, the editing is so slick that our eyes bounce everywhere excitingly.

Throughout “Cinderella Man” everything seemed perfect; there weren’t a lot of scenes that were irrelevant, every word spoken had meaning, especially by Crowe who could very well receive another Best Actor award come Oscar time.

Thursday, May 26, 2005

Great Movies

If I had to compose a list of my ten favorite movies, these movies would most likely be cordially invited to join the list.....

Lord of the Rings trilogy- The Star Wars of our generation, a passionate trilogy made with tremendous appreciation and a rare understanding of the novels that were created by the timeless J.R.R. Tolkien. This trilogy will be known as the standard for movies in the future that are classified as epics, or fantasies.
Requiem for a Dream- A portrait of the drug world that is all to unknown, but all to real. A study of 4 Coney Island dreamers that dream of the best, and expierience there own versions of living hells, directed by visionary director Darrren Aronofsky, who is now wielding "The Fountain" who will star Hugh Jackman, who could use a serious role for his resume, and Rachel Weisz who is solid enough for drama.
Jerry Maguire- Tom Cruise is the acting icon of the 1990's and in 1996 he made a movie that can help but inspire us. A movie about trust, understanding, and how we find love through witnessing the trust and love of others. 1 word for this is underrated. NOTE** Cruise is still amazing.
Pulp Fiction- One can only say enough about this movie, about the script, about the dialogue, and the directing. Quentin Tarantino's best movie, maybe one of the best screenplays of all time that humors, shocks, and finds ways to make us believe that movie-making will never die, there will always be that movie nerd that long ago worked in a video store, that dreamt of directing, and when he did, he made Pulp Fiction.
JFK-Oliver Stone's fascinating interpretation on the events surrounding JFK's assasination. One of the most controversial directors made one of the most interesting movies ever, about how a nation destroyed there leader. CIA, FBI, the White House and the mob' s scheme to terminate the World's working class leader. Stone points many fingers, but some of the fingers could be correct, and even if they aren't, he has still made a masterpiece.
Goodfellas- Big, Rich, and Powerful are three words that stand out when one is talking about this 1990 movie that got robbed when it didn't win Best Picture. Martin Scorsese's story of a rags to riches mobster who in the end turns his life inside out, and turns into a trader to save his own ass has some memorable scenes that only Scorsese could translate on the screen.
The Godfather, part I, II- On a lot of peoples list as the greatest movies ever, it's truly deserves anything in anyones top 10. The ultimate story of a crime ridden family that lie heavily on trust, responsibility, and power to proclaim there name on top of the mafia throne. It took me a while to understand how important these movies were to the history of cinema.
Fight Club- Brad Pitt and Edward Norton, two young actors in 1999 who starred in David Finchers male dominance comedy/thriller can be oddly characterized as a dark "Office Space" about hating our jobs, our bosses, and doing violent things to balance your life out, all about letting go and possesing self-awareness.
Magnolia-A movie about corresponding themes of love, forgiveness, redemption, and mainily hope, begs us to Wise up and start living your life out so you won't regret anything in the end. This movie is an artfrom, this is one of those movies you either hate or love, anyone that asks to many questions in movies, and doesnt understand movies easily will HATE this movie, if you know what you want in life, and are interested in human behavior you will love this movie. P.T Anderson needs to make more movies.
Traffic- Small, but large movie about drug traffiking, how it will never end no matter what lenghts we go to. A story of how the war against drugs must be fought in small battles, we must rid it out of our houses, and not turn it into a communinity thing.

Thursday, May 19, 2005

Episode 3 review

“Star Wars Episode 3: Revenge of the Sith”
Starring: Hayden Christensen, Ewan McGregor, Natalie Portman, Frank Oz, Samuel L. Jackson, Christopher Lee
3 stars out of 4


The 3rd and final Star Wars chapter is the final bridge leading to Star Wars Episode IV, a New Hope. This chapter is the darkest of all six, the longest, it has the feeblest acting, but the action is great. The action and the long awaited moments are the only parts that save this movie from being a cinematic bust.

The plot is particularly simple, the Jedi are getting weaker, and Anakin Skywalker could be the final peace that the invisible Empire needs to conquer the galaxy. Anakin played by Hayden Christensen probably has the weakest acting out of the main characters, he tries to force emotions, and act tough, but he has nothing to show for it. Ewan McGregor who plays Obi-Wan-Kenobi is the most likely candidate for the best acting in the last 3 prequels. He is straight-forward and in Episode 3 he looks at Anakin in a weird way.

It starts off with Obi-Wan and Anakin on a mission to save the Chancellor, who is also secretly Darth Sidious, he wants Anakin on his side, and convinces him that if he turns to the Dark Side he possess powers that no Jedi could ever teach. The whole movie besides the action is Anakin pondering that decision and others trying to turn him away from the everlasting choice that determines the fate of all galactic activity in the future.

Padme is Anakin’s wife, she just stands by him throughout the movie, and we learn early that she is pregnant. It’s honestly sad how bad the acting is in the movie, and it’s ironic because Natalie Portman who plays Padme played 2 awesome parts in earlier movies of 2004, and was nominated in Closer, in this she’s just Anakin’s secret wife who seems to sleep in dresses, and lay on terrible dialogue along with her partner, the soon to be Darth Vader.

While watching the film you still can’t deny all of the long awaited moments and scenes when they are presented, along with those there are many tasty light-saber duels that will leave you tired afterwards. Most of the great scenes are all towards the end or at the end, the fight between Obi-Wan and Anakin, the birth of Luke and Leia, Yoda against Darth Sidious, and the conclusion which turns Anakin into the legend villain, Darth Vader.

The question throughout is how did Anakin turn, and why. His strings are pulled so easily by Sidious that anything that Sidious wants done, Anakin will do. He explains to Anakin that if he wants his bad dreams of Padme dying to stop, that he will have to save her through ways that only a member of the dark side posses. Anakin easily agrees as the movie progresses. He is in turmoil also; the Jedi council obviously knows that the Chancellor is against them, so they assign Anakin to “spy” on him, Anakin transfers this news to the Chancellor, who also wants Anakin to “spy” on the Jedi council. The only problem I had with the movie, besides the acting, is how the transformation and turn of Anakin to Vader is played out, it seems as though the script uses cheap plot devices and bad manipulation skills by Sidious to turn Anakin.

The real problem for me was seeing fucking movie at 12:21, honestly for half of the movie I just kept thinking of my bed, because I was so goddamn tired. But since I didn’t sleep in the movie, this was all the stuff that I got out of it, bad acting, great action, un-convincing turn for Anakin to the dark side, or if you look at the bright side, some emotional scenes that close out the trilogy. I myself am not the biggest Star Wars fan; I have only seen the originals once or twice each. Again if I was a bigger fan, maybe more appreciation would have been granted to Episode 3, but as a tired movie fan that I was last night this is what I had to say. I liked it, just didn’t love it, but then again you will have a lot of people saying they loved it when they honestly didn’t.

NOTE* A 2nd viewing may increase my opinion, but maybe not.

Tuesday, May 10, 2005

Review(tL style)

“Crash”

Starring: Sandra Bullock, Don Cheadle, Matt Dillon, Brendan Fraser, Jennifer Esposito, Luadacris, Ryan Phillippe, Larenz Tate, Michael Pena’, Terrence Howard, Thandie Newton
4 stars out of 4


The new film that I deeply admire most likely had a small budget, most likely did not take long to make, but the ideas are larger then life, the acting is powerful, the story is riveting, and after you have made your final thought’s, this movie could change lives.

“Crash” takes place in the post 9/11 era, it takes place in LA, which is an ideal background that the many characters lay there hats down on at the end of their days. It involves a district attorney and his wife (Fraser-Bullock) Two detectives that are also lovers (Cheadle-Esposito) Two cops that have all too opposing views on race and right and wrong (Dillon-Phillippe) An African American couple (Howard-Esposito) Two black car thieves (Ludacris-Tate) and another storyline that involves a Mexican family and a Persian family.

“Crash” takes place in only 36 hours, one of those films that will probably hibernate in your mind after a long while, and will pop up again when you’re talking about racism. Racism is the ring-leader of the trials and tribulations of the characters, it takes them over, it makes them demand comfort so they can avoid it, it never shuts its mouth when it wants to, due to the characters harshly using racial name calling as scapegoats. The film has many races, Whites, Blacks, Mexicans, Persians, and Chinese etc.

“Crash” as I mentioned has great acting, the casting was made perfectly in my opinion, I can’t even explain how powerful these performances are, even though there are about a dozen characters and not even a two hour run time, when a certain character is on screen, he or she makes the best out of there time. For example the young actor Michael Pena’, who plays a young Mexican father, he is involved in two scenes that are perfectly crafted, one which tells you all you need to know about him and his daughter, where they have been and how a young Mexican father finds the words to comfort his daughter. The other scene is the most emotional scene in the movie, also done to perfection, due to Paul Haggis’ brilliant script.

All I can say is that the movie is about racism, and how people’s lives are intertwined in good times and in bad, this film might have more twists then a thriller, which is another tip of the hat to the script. Bad people sometimes have the heart to physically change, while good people sometimes find tragedy through co-incidences and assumptions. “Crash” basically came out of nowhere, you don’t happen to find about these movies unless you see a preview for them; if you don’t know about them, they know they are important and they find you.

Note-this movie isn't for everyone

Tuesday, March 15, 2005

Opponents will be ill' after facing the Illini

Games and seeds were announced yesterday for the NCCA tournament, this is the biggest spectacle in all of sports annualy, and this year will provide it's fair share of upsets, suprises, and at the end only 1 survivor.

Since I will be participating in multiple brackets, I will going on the record and saying that Illinois is my favorite to win the whole thing, the 3 headed monster consisting of Deron Williams, Dee Brown and Luther Head is tremendous, Brown has the versatility to not score a point in a game, and make up for it in other aspects. Williams and Head are his wingmen, supreme shooters that go to the basket with goals, as they are led by there General Brown who gets the ball up the court faster than any person in the tournament. With help from Augustine and Powell, these big men always provide enough slack to soften the big 3's load.

It also helps when you have an emotional goal attached, winning the Natl' title ultimately is the primary goal, but the deeper emotions and goals come from the death Bruce Weber's mother, who passed away just days before the Big Ten Championship. Trust me when something like that happens to a team that hasn't tasted a National Championship in the school's history and hasn't been to a Final Four since 1989, they are hungry enough to do what it takes to surpass the Heels', Deamon Deacons, and Blue Devils (can go far due to J.J Redick alone)

Thursday, March 3, 2005

NFL Transactions

Randy Moss and Lamont Jordan to Oakland Raiders
Derrick Mason to Baltimore Ravens
Anthony Henry and Jason Ferguson to Dallas Cowboys
Dexter Coakley to St.Louis Rams

Look for some very important players to be moved in the next couple days/weeks (i.e) Plaxico Burress, Travis Henry, Fred Smoot.

Tuesday, March 1, 2005

A rare occurence in a decent sized bedroom

Since I knew a snow day was in the rare works, the movie fan came out in me lastnight, I popped in Traffic at a few minutes after 10 and instead of falling asleep, I fell more in love with this movie. After seeing this in like 6th or 7th grade I had no idea what I was watching at this time, I wanted to pretend to like it, because I knew of the acclaim is was getting, and I wanted to sound smart by saying that I liked it, but I didn't understand a smudge of it. Fastforward to when it comes out on DVD, most likely 5 or 6 months after it hit theatres. I of course bought it, and it sat on my quickly stacking collection up until now. Rewind to the Oscars of 2001, growing up to be the loser fucking asshole movie fan that I am, I cheered for Gladiator to win best picture. But lastnight after finally having Traffic catch up to me, it hinted at me how strong it is, and how strong it might never be, due to the fact that it is fairly unknown, and that Gladiator overshadowed it that year. This movie is better than Gladiator, it's now probably in my top 12-13 movies of all time. I'm so cool, by the way, no one else that I know my age could write this, fuck you. tL

Monday, February 28, 2005

Eastwoods night

Million Dollar Baby prevailed as the soul survivor of last nights awards, although The Aviator won 5 awards, M$B's 4 trophies were all in major categories including Best Picture, Director, Actress, and Supporting Actor. Hilary Swank received her 2nd Oscar, after winning in 1999 for Boys Don' Cry. Clint Eastwood earned his 2nd Oscar for Directing, his Million Dollar Baby Oscar will now sit beside his Unforgiven Oscar. Morgan Freeman took home his first statue for Supporting Actor, he was also nominated for The Shawshank Redemption and Driving Miss Daisy.
Million Dollar Baby's Best Picture award felt good to be given out it seemed, in everyone's mind they wanted Scoresese's Aviator to win, but Million Dollar Baby was truly much more heartfelt, and more about character development than about epic style.(Not taking anything away from the Aviator)

The Aviator seemed perfect early on, and then seemed stronger after Cate Blanchett won for best supporting actress, she gave The Aviator tons of momentum after that win due to the fact that many felt Virginia Madsen for Sideways would rather be a better story to tell if she had been victorius. Jamie Foxx took home best actor, he was the biggest shoe-in of the night, sort of like Charlize Theron from last year. Sideways' only award came in the category of best adapted screenplay,after that it was a quiet night for the breakthrough film of the year.

In the major categories there weren't any upsets, I was hoping that maybe Clive Owen(Closer) or Thomas Haden Church would provide an upset in the best supporting actor race. It's fair to say that when it comes down to awarding the best picture of the year, you look at the story, the acting, and the directing over everything else, and M$B provided the best in all of those 3 categories.

Wednesday, February 16, 2005

Academy Awards

The Oscars are quickly approaching, at about 8:10 on Febuary 27th, the first Oscar will inevitably be givin out, the first award is always Best Supporting Actor, I think that this has been one of the best year's for that category in a long while. I will be predicting the awards in the following entry.

Best Picture
-The Aviator
-Sideways
-Million Dollar Baby
-Ray
-Finding Neverland
Prediction-The Aviator
Preference-Million Dollar Baby
Darkhorse-Sideways
Best Actor
-Jamie Foxx (Ray)
-Clint Eastwood (Million Dollar Baby)
-Johnny Depp(Finding Neverland)
-Don Cheadle(Hotel Rwanda)
-Leonardo DiCaprio(The Aviator)
Prediction-Jamie Foxx
Preference-Eastwood or DiCaprio
Darkhorse-Clint Eastwood
Best Actress
-Hilary Swank(Million Dollar Baby)
-Annette Bening(Being Julia)
-Imelda Staunton(Vera Drake)
-Kate Winslet(Eternal Sunshine of the Spotless Mind)
-Catalina Sandino Moreno(Maria Full of Grace)
Prediction-Hilary Swank
Preference-Hilary Swank
Dark Horse-Imelda Staunton
Best Director
-Martin Scorsese(The Aviator)
-Clint Eastwood(Million Dollar Baby)
-Alexander Payne(Sideways)
-Taylor Hackford(Ray)
-Mike Leigh(Vera Drake)
Prediction-Martin Scorsese
Preference-Clint Eastwood
Darkhorse-Alexander Payne
Best Supporting Actor
-Morgan Freeman(Million Dollar Baby)
-Clive Owen(Closer)
-Thomas Haden Church(Sideways)
-Jamie Foxx(Collateral)
-Alan Alda(The Aviator)
Prediction-Morgan Freeman
Preference- Clive Owen
Darkhorse-Clive Owen
Best Supporting Actress
-Virginia Madsen(Sideways)
-Cate Blanchett(The Aviator)
-Natalie Portman(Closer)
-Kate Winslet(Finding Neverland)
-Sophie Okendo(Hotel Rwanda)
Prediction-Cate Blanchett
Preference-Natalie Portman
Darkhorse-Natalie Portman

Monday, February 14, 2005

NBA

Don't look now but the Orlando Magic (27-24) are riding on a wave of fresh faces and an injury plagued Grant Hill, who has replenished the Magic to the 5th spot in the Eastern Conference. With new faces including Hedo Turkoglu, #1 pick Dwight Howard, who is having a studly rookie season, and Steve Francis who tickles the fortune of having a triple double almost every night. They recently aquired Doug Christie from the Kings in exchange for Cuttino Mobley, I do not understand that move, which has lead to the breakup of Mobley and Francis, who had a close relationship in Houston, and now they have been seperated, for what? Christie's defense? Look out for this team in the playoffs, they could push themselves to the Eastern Conference Finals, although if they run into the Heat, this magical season, could come to a quick end.

Friday, February 11, 2005

The best of 04'

Million Dollar Baby
Garden State
Closer
The Aviator
The Life Aquatic with Steve Zissou
Eternal Sunshine of the Spotless Mind
Sideways
Collateral
Spiderman 2
Kill Bill vol.2
Hotel Rwanda
Friday Night Lights

Thursday, February 10, 2005

College Ball

Truly hello, definitely have the Ocean's 11 look going on, with the cirlces at the top, very good. No stories for today except some discussion on the Duke UNC game that took place Wednesday night.

The Dukies prevailed at home with a great statement, something that everyone knows, but they do not talk about it to much. WE HAVE THE BEST COACH IN COLLEGE BASKETBALL. Disagreeing with this, is a game of cat and mouse, one is surely to lose on a daily basis. When the LA Lakers tried to reel in Coach K months ago, they KNEW what they were getting, if you paid attention to the story, a key factor for Coach K staying was a letter that he had received from a Duke student, begging him to stay. This letter won a game lastnight, forget all of the players, both teams are ultimately equipped with enough fire power to play the God damn Ravens defense, with Coach K your getting much more, your being led by an ambassador of college hoops. It's all about family, and what is comfortable, Coach K, knows what he has with this team, and his future teams, he know's that his players will do anything for him, because he is the type of guy who will turn down the glitz and glamour of LA, to stay with his roots. I am not saying that Duke will win the NCAA championship, hell I'm not even saying they will beat UNC again this year at UNC. Just saying that Coach K is the man, I'm not even that big of a Duke fan, I like this Redick kid, and Ewing is solid, but Coach K breathes through his players, and that's why he is the man .